Monday, 19 October 2020

Study Task 2

My initial ideas for the COP question focussed around aesthetics and technology:

  • Does stop-motion restrict its characters aesthetically?
  • Has stop-motion set design developed through time with changes technologically and historically?
  • To what extent is stop-motion ever used in isolation from the other animation techniques?
  • Is stop-motion aesthetically reliant on other animation forms in regard to special effects?

After researching into these topics and with input from Ben, my question is going down the route of special effects in stop-motion, with particular focus on the problem that water poses on stop-motion animators. 

My new question is:
'Can you make realistic looking water through analogue stop-motion animation techniques?'


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